[hav-uhk] creates a document matter of interpersonal human-animal communication that flows out of an enclosed space hidden from the public eye. It shows the point of association of the human and the animal, which industrialization, in their interdependence, forces them to move away from their essence, depending on systems larger than them. The document tries to approach the experience and state of animals through the prism of the mental state of catatonia and delirium. Contemporary video-auditory gesture transforms the cruel image of the real into a sublime stimulation of the consciousness of the alienation in which we live. '' The title of the document comes from the definition of the word havoc. The voice dictates; the human pronunciation of the word havoc, which as a verb means desolation. And the image of the night sky of stars and mists is this blood of another, which it demands for its existence.''

MANIFESTO

This denial in art, in its final form, culminates in catharsis.
Art is necessarily revelational, by showing the bankruptcy of our path, the social path, the path of our fathers, the path that made the characters fall, when they followed the law of their truth instead of the law of their fathers.That law was hidden in the artist’s self - and is now becoming social, revealed in the catharsis, and destroying what is to be destroyed.
 Catharsis is necessarily political.
 Art cannot be non-political.
Sugar-sweet kitsch doesn’t bring you anywhere, because it takes you exactly where you expected it to take you.  Art reconciled with society is necessarily kitsch.  No wonder "right-wing culture" produces kitsch, it can't do anything else by its very nature. Their images, the use of words seem to point somewhere, but it is necessary that it should not lead anywhere, since it is neither existentially nor socially moving, since it is the foundation of its conservatism.
Conservative art is non-art, because conservative catharsis is non-cathartic, because conservative existence is non-existence.