The movie THE LAST ICE HUNTERS tells the story of the present generation of hunters in the Inuit community of Eastern Greenland, and represents the final chapter in their long history. Merely 4500 people inhabit East Greenlands 20.000km long coast. Itis one of the least populated places on our planet. Due to the isolation caused by the ice cap, no colonization of East Greenland took place, and thearea remained practically unknown to anyone outside the local population. Only in the last five generations, the ”modern” world entered East Greenland. In the last 100 or so years, the local populace faced dramatic changes, from living in total isolation, the way people lived in theStone Age, to integration in the world global village. The world of the Inuit is changing at an alarming pace. The environment of East Greenland created one of the most specialized hunting cultures in the world. There are few places on Earth where humans suffered more hardship and coped with such an extreme hostile environment. Although a lot has changed and a plenty of modern commodities have become part ofeveryday life in East Greenland, nature still reigns supreme. Hunting skills are still the basis for survival. The modern hunters have all the modernequipment they want, but if they do not understand the surrounding environment, at the end of the day, they remain empty handed. Cultural roots are still deep and strong, and the hunter is the pillar of society in these areas. It is not surprising that the main occupations in remote settlements are seal hunting and fishing. But nowadays not everybody on East Greenland is a full time hunter. The status of the hunter as the economic basis of the society has been severely undermined. The 2009 EU ban onseal fur trading was intended to curb the overkill of seal populations by big hunting industries. But it has also hurt the economic foundations of Inuit societies. Now, they are more and more reliant on foreign aid. The people of East Greenland lived in a delicate balance and relationship with their environment. It sets the pace of life and all the natural cycles of living. Now their environment and society is rapidly changing. The undermining of the economic structure of their society, together with the unstoppable cultural influences of the outside world, is causing the disappearance of an indigenous Inuit culture that existed for 4000 years.
Producers: |
Natalija Gros, Slaviša Majsorović |
Director: |
Jure Breceljnik & Rožle Bregar |
Script: |
Jure Breceljnik |
Camera: |
Wesley Johnson, Miha Avguštin |
Editing: |
Urban Potočnik
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Director of photography: |
Rožle Bregar – ZFS |
Others: |
In loving memory of Jure Breceljnik (1974-2015)
Assistant to director Slaviša Majstorović
The story of Jure Breceljnik
Producers Jure Breceljnik Slaviša Majstorović Natalija Gros
Assistant producer Igor Kadunc
Director of Photography Rožle Bregar – ZFS
Camera Wesley Johnson Miha Avgustin
Additional footage of Jure Breceljnik
Montage and processing of the picture Urban Potočnik
Graphic image of Jure Legac
Music by Miha Petric
Recording music by Janez Moder
Sound designer Borut Berden
Sound engineer: Simon Žimat
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The film holds particular significance due to the tragic circumstances surrounding its production. Jure Breceljnik, the director, producer, and screenwriter, passed away abruptly at the project's inception. Following his untimely demise, Rožle Bregar, the film's director of photography and a close friend of Jure's, assumed his responsibilities alongside Zadnji Ledeni Lovci. Jure Breceljnik (1974-2015), a renowned figure in the realm of filmmaking, had authored several acclaimed short and documentary films under his production company Film IT since 2009. Notable among these works are "Chalk & Chocolate" (2009), a documentary profiling the esteemed sports climber Natalija Gros, and "Wild One" (2012), chronicling the remarkable journey of the French handicap climber Philippe Ribier. Additionally, Breceljnik's portfolio includes documentaries such as "New Dimension" (2011), "Black & White Heaven" (2010), "Ratrakist's Diary" (2010), "Ko črte govorijo" (2011), and portraits of Terra Magica winemakers. Tragically, Breceljnik's aspiration to create a documentary about the last ice hunters in East Greenland remained unfulfilled, as he passed away before its completion in 2016. Nonetheless, his dedicated team at Film IT posthumously premiered his penultimate work, "Crossing Iceland" (2016), and saw through the culmination of his final project. The film serves as a tribute to Breceljnik's unwavering dedication to photography and filmmaking, honoring his memory and passion, and dedicated to his daughter Eli Breceljnik.
Rožle Bregar (1988), a versatile figure encompassing roles as a photographer, director of photography, alpinist, and traveler, graduated in sports photography from the Multimedia Academy in Ljubljana in 2010. Operating under the alias Vizualist, Bregar has contributed his expertise in cinematography to a diverse array of projects, spanning from commercial shorts to feature-length films and documentaries. His proficiency in the craft has earned him acclaim, including the prestigious Iris award bestowed by the Association of Cinematographers of Slovenia. Among his accolades is the recognition for best photography at the FEMF in Piran for his work on the film "Last Ice Hunters," adding to a collection of honors amassed early in his career for his creative prowess in visual storytelling.