Film Vžgano v spominih se osredotoča na multietnično obmejno območje med Italijo, Slovenijo in Hrvaško - Julijsko krajino (kasneje imenovano Adriatisches Küstenland oz. Jadransko primorje). To je območje, kjer v zadnjih 100 letih beležimo številne spremembe meja in političnih režimov. Tudi med 2. svetovno vojno je enemu okupatorju (Italiji) sledil drugi (Nemčija). Četudi je bila ta regija od leta 1920 uradno del Italije, je slovensko in hrvaško prebivalstvo razvilo uporniška gibanja proti režimu in agitiralo za priključitev k »domovini« - Jugoslaviji - ali v nekaterih primerih za avtonomijo Julijske krajine. Zlasti med 2. svetovno vojno je prišlo tudi do sodelovanja med slovenskimi in hrvaškimi partizani ter italijanskimi uporniki, medtem ko je bilo članstvo v Komunistični partiji Italije večnacionalno že v obdobju med svetovnima vojnama. Med 2. svetovno vojno so nacistične in fašistične okupacijske sile požgale številne vasi na tem obmejnem območju. Požgane vasi nosijo simbolizem krajev, ki jih je okupator poskušal »izbrisati«, zato bi kot slavni Oradour-sur-Glane, Lidice in Ležáky morali biti prepoznani kot kraji memorije. Do teh vojnih zločinov je običajno prišlo kot povračilni ukrep nad civilnim prebivalstvom, ker je podpiralo upor - predvsem partizane oz. NOB. Požige vasi so skoraj vedno spremljali poboji, deportacije, ropanje in drugo nasilje.
Da bi obudili spomin na dogodke, bomo zbrali osebne spomine o požigih in odzivu nanje, kot tudi fotografije vasi, na osnovi arhivskih virov in literature pa bomo izdelali zemljevid požganih vasi v Julijski krajini.
| Producent: |
Znanstveno-raziskovalno središče Koper |
| Režija: |
Nadja Velušček in Anja Medved |
| Scenarij: |
Nadja Velušček in Anja Medved |
| Kamera: |
Hiacint Jussa in Anja Medved |
| Montaža: |
Anja Medved |
| Ostali: |
Glasba: Mauro Bon
Oblikovanje zvoka: Havir Gergolet
Barvna korekcija: Gianandrea Sasso
Izvedba dokumentarnega projekta: Zavod Kinokašča
Partner in nosilec aktivnosti: Kinoatelje
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Nadja Velušček in Anja Medved, mati in hči, sta avtorski tandem, ki vrsto let ustvarja na področju dokumentarnega filma. Anja je diplomirana gledališka režiserka. Nadja je nekdanja profesorica italijanskega in slovenskega jezika. Ustvarili sta obsežen filmski opus, ki raziskuje razdeljene spomine obmejnega prostora ter jih šiva v skupne filmske pripovedi. Živita na Goriškem, kjer ustvarjata v okviru Zavoda KINOkašča / CINEMattic - filmske produkcije in hranilnice spomina.
SYNOPSYS:
The film Burnt in Memories focuses on the multi-ethnic border area between Italy, Slovenia and Croatia - Julian Krajina (later called Adriatisches Küstenland or the Adriatic coast). This is an area where we have seen many changes in borders and political regimes over the last 100 years. Even during World War II, one occupier (Italy) was followed by another (Germany). Although this region was officially part of Italy since 1920, the Slovene and Croatian population developed rebel movements against the regime and agitated for annexation to the "motherland" - Yugoslavia - or in some cases for the autonomy of the Julian Territory. Especially during the Second World War, there was cooperation between Slovenian and Croatian partisans and Italian rebels, while the membership of the Communist Party of Italy was already multinational in the period between the world wars. During World War II, the Nazi and Fascist occupation forces burned many villages in this border area. Burnt villages carry the symbolism of places that the occupier tried to "erase", so like the famous Oradour-sur-Glane, Lidice and Ležáky, they should be recognized as places of memory. These war crimes usually occurred as a retaliatory measure against the civilian population for supporting the rebellion - especially the partisans or NOB. Village burnings were almost always accompanied by massacres, deportations, looting and other violence. In order to revive the memory of the events, we will collect personal memories of the arsons and the response to them, as well as photographs of the villages, and based on archival sources and literature, we will create a map of burned villages in the Julian countryside.
TEAM:
| Producer: |
Kinoatelje |
| Director: |
Nadja Velušček and Anja Medved |
| Script: |
Nadja Velušček and Anja Medved |
| Camera: |
Hiacint Jussa and Anja Medved |
| Editing: |
Anja Medved |
| Others: |
Music: Mauro Bon
Sound design: Havir Gergolet
Color correction: Gianandrea Sasso
Implementation of documentary project: Zavod Kinokašča
Partner and holder of documentary project: Kinoatelje
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DIRECTOR:
Nadja Velušček and Anja Medved, mother and daughter, are an author tandem that has been working in the field of documentary film for many years. Anja is a graduated theater director. Nadja is a former professor of Italian and Slovenian languages. They created an extensive film opus that explores the divided memories of the border area and sews them into common film narratives. They live in Goriško, where they create within the framework of the KINOkašča Institute / CINEMattic - film production and memory bank.
